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UNESCO Archives Portal

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Untitled Document Cultures d'arxiu
(octubre - noviembre de 2000
Fundació Antoni Tàpies, Barcelona)
- Recorrido
- Documentos
- Guía

Cultures d´arxiu: memòria, identitat, identificació
(julio - septiembre 2002 Universitat de València. La Nau)

- Recorrido

- Boletín: solicita nuestro boletín nº1 (gratuito, incluir dirección)

Culturas de archivo: fondos y nuevos documentos
(febrero - marzo 2003 Universidad de Salamanca. Palacio Abrantes)

- Recorrido
- Boletín: solicita nuestro boletín nº2 (gratuito, incluir dirección)

Taller: arte, exposición, memoria
(octubre 2003. UPC, ETSAB. Barcelona)

Taller: arte, exposición, memoria II
(octubre 2004. UPC, ETSAB. Barcelona)

Culturas de archivo IV: representaciones
Febrero-abril 2005

Monasterio de Nuestra Señora de Prado
Autovía Puente Colgante s/n

Fondo Ángel Ferrant
Patio Herreriano
Museo de Arte Contemporáneo Español
Jorge Guillén, 6

Sala de Referencia Planos y Dibujos
Archivo de la Real Chancillería de Valladolid
Chancillería, 4

Organización y producción: Junta de Castilla y León

Taller/Worshop: Culturas de archivo

Septiembre/September 2005

Universitat Politècnica de Catalunya
Escola Tècnica Superior d'Arquitectura de Barcelona

Visita al archivo districte Sants-Monjuic 28 septiembre 2005

Octubre/October 17-23 2005

Fakultet for arkitektur og billedkunst

Lectures and workshop: Archive Cultures


- Lecture

Temporary Library

-Temporary Library
- Visiting Legal Museum
- Visting Stadtarchiv

- Working on reference room

Participación en SEMINARIO DOCUMENTALIDADES. CGAC. 14 octubre 2006
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Participación en el seminario "La imagen fantasma". Barcelona, Fundació Antoni Tàpies, 28 noviembre 2006

Participación en el simposio internacional "Revistas y Guerra". MNCARS, enero 2007 ver más

Ideas recibidas Un vocabulario para la cultura artística contemporánea Curso-programa de conferencias

MACBA Octubre/October 2008
Archivo: el acceso al saber/poder y las alternativas a la exposición ALLAN SEKULA.

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Conversaciones abiertas Dictadura, Arte y Archivo

Casa Amèrica Catalunya. c/ Còrsega, 299. Barcelona

7/8/9 OCTUBRE 2008

Libro Santiago Roqueta. Co-edición y concepto.
El libro constituye un montaje de documentos imágenes y rastros dejados por S.R. en su actividad profesional y docente.

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_THISISCATEGORYBiblioteca / Library
Following are the News Items published under this Category.

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Biblioteca / Library:
Enviado por editor en Sábado, 01 Mayo, 2010 - 07:28 (43341 lecturas)
Tema Noticias/News

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Biblioteca / Library: The Cult of the Amateur
Enviado por editor en Martes, 23 Marzo, 2010 - 06:48 (13988 lecturas)
Tema Tecnología/Technology
Tecnología/Technology June 29, 2007
Books of the Times
The Cult of the Amateur

Digital utopians have heralded the dawn of an era in which Web 2.0 — distinguished by a new generation of participatory sites like and, which emphasize user-generated content, social networking and interactive sharing — ushers in the democratization of the world: more information, more perspectives, more opinions, more everything, and most of it without filters or fees. Yet as the Silicon Valley entrepreneur Andrew Keen points out in his provocative new book, “The Cult of the Amateur,” Web 2.0 has a dark side as well.

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Biblioteca / Library: Virtual European Library
Enviado por Admin en Miércoles, 07 Diciembre, 2005 - 06:52 (7269 lecturas)
Tema Noticias/News

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Biblioteca / Library: Picturing Ourselves
Enviado por editor en Lunes, 25 Abril, 2005 - 01:57 (7833 lecturas)
Tema Biografía / Biography
Biografía / Biography Rugg, Linda Haverty Picturing Ourselves: Photography and Autobiography. 293 p., 40 halftones, 5 line drawings. 6 x 9 1997

Photography has transformed the way we picture ourselves. Although photographs seem to "prove" our existence at a given point in time, they also demonstrate the impossibility of framing our multiple and fragmented selves. As Linda Haverty Rugg convincingly shows, photography's double take on self-image mirrors the concerns of autobiographers, who see the self as simultaneously divided (in observing/being) and unified by the autobiographical act.

Rugg tracks photography's impact on the formation of self-image through the study of four literary autobiographers concerned with the transformative power of photography. Obsessed with self-image, Mark Twain and August Strindberg both attempted (unsuccessfully) to integrate photographs into their autobiographies. While Twain encouraged photographers, he was wary of fakery and kept a fierce watch on the distribution of his photographic image. Strindberg, believing that photographs had occult power, preferred to photograph himself.

Because of their experiences under National Socialism, Walter Benjamin and Christa Wolf feared the dangerously objectifying power of photographs and omitted them from their autobiographical writings. Yet Benjamin used them in his photographic conception of history, which had its testing ground in his often-ignored

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Enviado por editor en Lunes, 09 Junio, 2003 - 02:37 (15691 lecturas)
Tema Identificación / Identification
Identificación / Identification

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Biblioteca / Library: Thomas Henry Huxley, 'A Lecture on the Fossil Remains of Man, delivered at the Royal Institution, Feb. 7th, 1862...'
Enviado por editor en Sábado, 07 Diciembre, 2002 - 11:34 (10116 lecturas)
Tema Identificación / Identification
Identificación / Identification The Lancet, 15 February 1862, pp. 166-7.

IT is the object of this lecture to explain why those persons who look at Man from a scientific point of view as the great final term of animal development, regard two skulls not very long since discovered as the most venerable and the most interesting specimens of humanity. Of those two skulls (of which casts were on the table), the one belongs to the oldest man of whom we hare any knowledge, and the other seems to be the lowest and most degraded in rank of any which can claim humanity. In order to explain how these skulls progress that interest, why one of them may be regarded as the most ancient relic of man, and what are their relations to the existing races, many preliminary details must be reviewed.

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Enviado por editor en Sábado, 23 Noviembre, 2002 - 05:09 (10396 lecturas)
Tema Identificación / Identification
Identificación / Identification By Professor. CESARE LOMBROSO
(reproduced from Popular Science Monthly, 1896 (April), pp. 793-803.)

I HAVE been told that the fashion of tattooing the arm exists among women of prominence in London society. The taste for this style is not a good indication of the refinement and delicacy of the English ladies: first, it indicates an inferior sensitiveness, for one has to be obtuse to pain to submit to this wholly savage operation without any other object than the gratification of vanity; and it is contrary to progress, for all exaggerations of dress are atavistic. Simplicity in ornamentation and clothing and uniformity are an advance gained during these last centuries by the virile sex, by man, and constitute a superiority in him over woman, who has to spend for dress an enormous amount of time and money, without gaining any real advantage, even to her beauty. But it is not desirable that so inordinate an accession to ornamentation as tattooing would be should be adopted; for an observation I have made on more than 6,000 criminals has demonstrated to me that this custom is held in too great honor among them. Thus, while out of 2,739 soldiers I have found tattoo marks only among 12 per cent, always limited to the arms and the breast; among 5,348 criminals, 667 were tattooed, or ten per cent of the adults and 3.9 per cent of the minors. Baer recently observed tattooing among two per cent of German criminals and 9 5 per cent of soldiers (Der Verbrecher, 1893).

Nota: visit: The Body Politic Project
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