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Untitled Document
Cultures d'arxiu
(octubre - noviembre de 2000
Fundació Antoni Tàpies, Barcelona)
- Recorrido
- Documentos
- Guía
Cultures d´arxiu:
memòria, identitat, identificació
(julio - septiembre 2002 Universitat de València. La Nau)
- Recorrido
- Boletín:
solicita nuestro boletín nº1 (gratuito, incluir dirección)
Culturas de archivo: fondos y nuevos documentos
(febrero - marzo 2003 Universidad de Salamanca. Palacio Abrantes)
- Recorrido
- Boletín:
solicita nuestro boletín nº2 (gratuito, incluir dirección)
Taller: arte, exposición, memoria
(octubre 2003. UPC, ETSAB. Barcelona)
Taller: arte, exposición, memoria II
(octubre 2004. UPC, ETSAB. Barcelona)
Culturas de archivo IV: representaciones
Febrero-abril 2005
Espacio-archivo
Monasterio de Nuestra Señora de Prado
Autovía Puente Colgante s/n
Fondo Ángel Ferrant
Patio Herreriano
Museo de Arte Contemporáneo Español
Jorge Guillén, 6
Sala de Referencia Planos y Dibujos
Archivo de la Real Chancillería de Valladolid
Chancillería, 4
Organización y producción: Junta de Castilla y León
Taller/Worshop: Culturas de archivo
Septiembre/September 2005
Universitat Politècnica de Catalunya
Escola Tècnica Superior
d'Arquitectura de Barcelona
- Visita al archivo districte Sants-Monjuic 28 septiembre 2005
Octubre/October 17-23 2005
KUNSTAKADEMIET I TRODHEIM
Fakultet for arkitektur og billedkunst
Lectures and workshop: Archive Cultures
Photogalleries:
- Lecture
-Temporary Library
- Visiting Legal Museum
- Visting Stadtarchiv
- Working on reference room
Participación en SEMINARIO DOCUMENTALIDADES. CGAC.
14 octubre 2006
ver más
Participación en el seminario "La imagen fantasma". Barcelona, Fundació Antoni Tàpies, 28 noviembre 2006
Participación en el simposio internacional "Revistas y Guerra". MNCARS, enero 2007
ver más
Ideas recibidas
Un vocabulario para la cultura artística contemporánea
Curso-programa de conferencias
MACBA Octubre/October 2008
Archivo: el acceso al saber/poder y las alternativas a la exposición
ALLAN SEKULA.
ver más
Conversaciones abiertas Dictadura, Arte y Archivo
Casa Amèrica Catalunya. c/ Còrsega, 299. Barcelona
7/8/9 OCTUBRE 2008 www.americat.net
Programa
Libro Santiago Roqueta. Co-edición y concepto.
El libro constituye un montaje de documentos imágenes y rastros dejados por S.R. en su actividad profesional y docente.
Follow more events at amateurarchivist.calendar |
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 Tema: Archivo Autor/Author Archive
Following are the News Items published under this Topic.
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Botanica After Humboldt
Enviado por editor en Miércoles, 15 Junio, 2011 - 02:06 (6491 lecturas)
Tema Archivo Autor/Author Archive
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Botanica After Humboldt
EXPOSICIÓN DEL 16 DE JUNIO AL 16 DE SEPTIEMBRE DE 2011 INAUGURACIÓN EL JUEVES 16 DE JUNIO DE 2011, 19.30 HORAS
MANEL ARMENGOL, ALBERTO BARAYA, JOAN FONTCUBERTA, JUAN CARLOS MARTÍNEZ, RAFAEL NAVARRO, JUAN URRIOS.
Calcografía Nacional Real Academia de Bellas Artes de San Fernando C/ Alcalá, 13. 28014 Madrid
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ENCYCLOPÉDIE DE LA PAROLE, e PARLEMENT de joris lacoste (frança)
Enviado por editor en Sábado, 17 Abril, 2010 - 09:35 (9852 lecturas)
Tema Archivo Autor/Author Archive
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ATELIER REAL, 17 de ABRIL, 18h00
(entrada livre. lotação limitada)
Conferência-demonstração em Francês ‘simplificado’, sem tradução.
Apresentação dos projectos
ENCYCLOPÉDIE DE LA PAROLE, e PARLEMENT de joris lacoste (frança)
[em residência artística entre 5 e 17 de Abril de 2010]
com a colaboração e participação de Grégory Castéra, Frédéric Danos, Joris Lacoste e Olivier Normand
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Texts Without Context
Enviado por editor en Martes, 23 Marzo, 2010 - 06:37 (9065 lecturas)
Tema Archivo Autor/Author Archive
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http://www.nytimes.com
March 21, 2010
Texts Without Context
By MICHIKO KAKUTANI
In his deliberately provocative — and deeply nihilistic — new book, “Reality Hunger,” the onetime novelist David Shields asserts that fiction “has never seemed less central to the culture’s sense of itself.” He says he’s “bored by out-and-out fabrication, by myself and others; bored by invented plots and invented characters” and much more interested in confession and “reality-based art.” His own book can be taken as Exhibit A in what he calls “recombinant” or appropriation art.
Mr. Shields’s book consists of 618 fragments, including hundreds of quotations taken from other writers like Philip Roth, Joan Didion and Saul Bellow — quotations that Mr. Shields, 53, has taken out of context and in some cases, he says, “also revised, at least a little — for the sake of compression, consistency or whim.” He only acknowledges the source of these quotations in an appendix, which he says his publishers’ lawyers insisted he add.
“Who owns the words?” Mr. Shields asks in a passage that is itself an unacknowledged reworking of remarks by the cyberpunk author William Gibson. “Who owns the music and the rest of our culture? We do — all of us — though not all of us know it yet. Reality cannot be copyrighted.”
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Soft City
Enviado por editor en Lunes, 05 Octubre, 2009 - 08:24 (8133 lecturas)
Tema Archivo Autor/Author Archive
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Soft City:
Azra Aksamija, Pushwagner, Dubravka Sekulić
September 13 - November 8, 2009
Stroom Den Haag
Hogewal 1-9
2514 HA The Hague
The Netherlands
Opening hours: Wednesday-Sunday 12-5 pm
T +31-70 3658985
info@stroom.nl
http://www.stroom.nl
among others we prefer:
Architect/researcher Dubravka Sekulić (1980, Nis) shows portions of her project 'Belgrade, Belgrade: Ongoing Archive of Unruled Practices'. She inventories informal building practices like the proliferation of often illegal but imaginative urban expansions on top of existing buildings
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Presentation of the book Archivo F.X.: La ciudad vacía. Política
Enviado por editor en Martes, 21 Abril, 2009 - 04:46 (5740 lecturas)
Tema Archivo Autor/Author Archive
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Tuesday 28 April 2009, 7 p.m.
A Project by Pedro G. Romero
Teatre Tantarantana (Les Flors, 22).
With
Nuria Enguita Mayo, Oier Etxeberria, Gerard Horta, Antonio Molina Flores, Laurence Rassel, Valentín Roma, Pedro G. Romero
On the occasion of the publication of the book-object Archivo F.X.: La ciudad vacía. Política (Archive F.X.: The Empty City. Politics).
In the presence of:
Nuria Engita Mayo
Pedro G. Romero
Laurence Rassel
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Walid Raad presenta su visión de la guerra civil del Líbano
Enviado por editor en Miércoles, 18 Febrero, 2009 - 09:52 (3633 lecturas)
Tema Archivo Autor/Author Archive
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elmundo.es
* El artista estará en el Reina Sofía el miércoles y el jueves
* Presentará su trabajo 'The loudest muttering is over'
* Volverá a Madrid en junio, para el PhotoEspaña
Lleva años intentando mirar la guerra de una manera distinta. En la visión de Walid Raad no hay víctimas, ni culpables. No hay explicaciones económicas, justificaciones sociales o actores políticos. "Son las voces dominantes siempre que intentamos describir actos de violencia extrema. Pero yo busco algo distinto".
En 1999, este artista libanés creó un grupo de trabajo para concretar ese objetivo. 'The Atlas Group Archive', es un proyecto centrado en la guerra civil del Líbano, la historia del país entre 1975 y 1991, resucitada a través de vídeos, documentos y fotografías. "Muestro situaciones que pueden parecer banales pero que para mí son importantes para entender cómo sobreviven esos acontecimientos en la memoria de quienes los han vivido y cómo siguen ejerciendo su influencia hoy día", explica.
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archival metaphor/metáfora archivística: Mapping an Imagined Order, Page by Page
Enviado por editor en Miércoles, 19 Noviembre, 2008 - 04:28 (4399 lecturas)
Tema Archivo Autor/Author Archive
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www.nytimes.com
November 16, 2008
Art
By DOROTHY SPEARS
MATT MULLICAN loves to scribble. “This is my studio,” he said on a recent morning, gesturing around the fluorescent-lighted space in Lower Manhattan that serves as a workshop, office, storage room and clearinghouse for his artwork. “But I don’t really work here. My studio is in my notebook, and where I travel.”
As if to prove the point, he plucked a sketchbook off a metal bookshelf and opened it.
A Christmas gift from his parents dated Dec. 26, 1970, it was filled in a single day by Mr. Mullican, now 57, when he was still a high school senior. A miniature tour of Pop Art history, it is strikingly precocious.
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The Web Time Forgot
Enviado por editor en Sábado, 25 Octubre, 2008 - 04:10 (3947 lecturas)
Tema Archivo Autor/Author Archive
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nytimes.com
June 17, 2008
By ALEX WRIGHT
Correction Appended
MONS, Belgium — On a fog-drizzled Monday afternoon, this fading medieval city feels like a forgotten place. Apart from the obligatory Gothic cathedral, there is not much to see here except for a tiny storefront museum called the Mundaneum, tucked down a narrow street in the northeast corner of town. It feels like a fittingly secluded home for the legacy of one of technology’s lost pioneers: Paul Otlet.
In 1934, Otlet sketched out plans for a global network of computers (or “electric telescopes,” as he called them) that would allow people to search and browse through millions of interlinked documents, images, audio and video files. He described how people would use the devices to send messages to one another, share files and even congregate in online social networks. He called the whole thing a “réseau,” which might be translated as “network” — or arguably, “web.”
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Paul Otlet
Enviado por editor en Lunes, 13 Octubre, 2008 - 03:54 (5269 lecturas)
Tema Archivo Autor/Author Archive
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A documentary about Paul Otlet, often considered the father of information management, narrated by W. Boyd Rayward, his biographer.
In the late 1800s and early 1900s Otlet pioneered the field of what we today call information science, but what he called documentation. A hundred years before the development of the Internet, Otlet used terms like web of knowledge, link, and knowledge network to describe his vision for a central repository of all human knowledge.
In English and French. Produced for Dutch television in 1998.
This movie is part of the collection: Open Source Movies
Production Company: Noorederlicht
Audio/Visual: sound, color
Keywords: otlet; mundaneum; rayward; belgium; documentation; internet
Video Paul Otlet en archive.org
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non metaphorical archive/archivo no met.: Ruta Remake. This is no piano.
Enviado por editor en Domingo, 16 Marzo, 2008 - 03:19 (4793 lecturas)
Tema Archivo Autor/Author Archive
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Apparatus and voice
Jorge Blasco Gallardo
In this context, Ruta Baciulyte and Ruta Gostautiene suggested a specific weaving pattern named “ruta” (Ruta / rue) that refers to a perennial plant having a strong, heavy odour and a bitter taste; also known as a ‘herb of grace’. In Lithuania, this pattern was imbued with different meanings, such that over the course of time it has as well routed through gardens and common language to become an icon representing virginity and femininity, despite the reputed efficiency of the plant in inducing abortions.
Nomeda & Gediminas Urbonas, Ruta Remake, 2002, Installation View, Secession 2003
Apparatus, tool, instrument
Ruta Remake is a comprehensive process involving the gathering and organisation of what has been collected. Yet that collection is inevitably contemporary, hybrid, impure and mixed. Collection is made of voices, vestiges of tradition, and they are composed in accordance with a pattern defined by the very plant that lends its name to the title of the work, a pattern whereby different levels of voice will be interwoven to form a fully meaningful song. It is not just any pattern, nor so the different songs forthcoming, it is a pattern stemming from a tradition that has framed a space for the muting of women’s voices that understands the weaving as writing, that is followed by singing as way of story telling.
The organisation of what has been collected, in principle, has nothing in common with the standard features of a “scientific�? study and they all have something to do with banishment/detachment from one’s own close reality. The objectified outcome of Ruta Remake is an apparatus, an electronic instrument, the Theramidi.
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Nomeda & Gediminas Urbonas. Devices for action
Enviado por editor en Domingo, 16 Marzo, 2008 - 03:10 (4189 lecturas)
Tema Archivo Autor/Author Archive
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14/03/2008 - 15/06/2008 MACBA
[Plaça dels Àngels, 1 08001 Barcelona 93 412 08 10]
Curator: Bartomeu Marí
Produced by: Museu d’Art Contemporani de Barcelona (MACBA)
The work of Nomeda and Gediminas Urbonas –born in Lithuania in 1968 and 1966 respectively– takes the form of projects in which they explore the conflicts and contradictions thrown up by the new economic, social and political conditions in the former Soviet countries as they affect everyday life, management of public spaces and the idea of the nation. This exhibition features five installations, the results from their work over the last eight years: Transaction (2000-2004), Ruta Remake (2002-2004), Druzba (2003 - ongoing), Pro-test Lab (2005 - ongoing) and Villa Lituania (2007).
A particularly notable characteristic of their work is that each project is born and develops as part of a process involving cooperation with groups and experts from other fields (such as music, architecture or psychiatry). This method results in one of the principal features of their work formally: the absence of a recognisable style or authorship. Another element these projects all share is the inclusion, at some point or other in the process, of a film archive to show how the models used to control society are constructed.
Nota: www.macba.es
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Female Icons / New addition: Rotating Roles
Enviado por editor en Jueves, 24 Enero, 2008 - 01:19 (4337 lecturas)
Tema Archivo Autor/Author Archive
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For those with access to Dutch television:
Hristina's Huizen will be aired tomorrow, Thursday January 24
22:50 - 23:45 Ned. 2 (HUMAN)
Interview: *Rotating Roles*
http://www.geuzen.org/female_icons/?p=454
When cleaning a house for somebody with whom you only communicate through little notes... a space might open up in which you create an image of your employers, their lives, their way of living. Hristina Tasheva worked as a cleaner for many years, and reflects upon her situation, dreams and future perspectives. She starts photographing the houses she is taking care of and develops a new relationship to the job, escaping from an invisible life. Suzanne Raes is documentary-maker and former employer of Hristina. We speak with them about how they developed the documentary, and how their lives have changed since.
http://www.art2stay.nl
http://www.hristinatasheva.com
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Actualidad: Aby Warburg. The Mnemosyne Atlas.
Enviado por editor en Lunes, 19 Noviembre, 2007 - 02:50 (5504 lecturas)
Tema Archivo Autor/Author Archive
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From 23 November to 14 December 2007 the Albertina will present an exhibition of Aby Warburg’s Mnemosyne Atlas. The show will include 64 plates that are primarily concerned with the legacy of antiquity in the Early Renaissance.
http://www.albertina.at
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archival metaphor/metáfora archivística: Claudia Andujar
Enviado por editor en Jueves, 08 Noviembre, 2007 - 10:05 (4671 lecturas)
Tema Archivo Autor/Author Archive
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diversao.uol.com.br/27bienal/artistas
Cláudia Andujar nasceu em Neuchâtel, Suíça, em 1931. A artista vive no Brasil desde 1955 e mora atualmente em São Paulo.
Filha de pai judeu, mudou-se para a Hungria ainda criança e viveu de perto a Segunda Guerra Mundial. Em 1944, quando a Alemanha ocupou a Hungria, seu pai e outros familiares foram mortos num dos campos de concentração nazistas.
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