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Untitled Document
Cultures d'arxiu
(octubre - noviembre de 2000
Fundació Antoni Tàpies, Barcelona)
- Recorrido
- Documentos
- Guía
Cultures d´arxiu:
memòria, identitat, identificació
(julio - septiembre 2002 Universitat de València. La Nau)
- Recorrido
- Boletín:
solicita nuestro boletín nº1 (gratuito, incluir dirección)
Culturas de archivo: fondos y nuevos documentos
(febrero - marzo 2003 Universidad de Salamanca. Palacio Abrantes)
- Recorrido
- Boletín:
solicita nuestro boletín nº2 (gratuito, incluir dirección)
Taller: arte, exposición, memoria
(octubre 2003. UPC, ETSAB. Barcelona)
Taller: arte, exposición, memoria II
(octubre 2004. UPC, ETSAB. Barcelona)
Culturas de archivo IV: representaciones
Febrero-abril 2005
Espacio-archivo
Monasterio de Nuestra Señora de Prado
Autovía Puente Colgante s/n
Fondo Ángel Ferrant
Patio Herreriano
Museo de Arte Contemporáneo Español
Jorge Guillén, 6
Sala de Referencia Planos y Dibujos
Archivo de la Real Chancillería de Valladolid
Chancillería, 4
Organización y producción: Junta de Castilla y León
Taller/Worshop: Culturas de archivo
Septiembre/September 2005
Universitat Politècnica de Catalunya
Escola Tècnica Superior
d'Arquitectura de Barcelona
- Visita al archivo districte Sants-Monjuic 28 septiembre 2005
Octubre/October 17-23 2005
KUNSTAKADEMIET I TRODHEIM
Fakultet for arkitektur og billedkunst
Lectures and workshop: Archive Cultures
Photogalleries:
- Lecture
-Temporary Library
- Visiting Legal Museum
- Visting Stadtarchiv
- Working on reference room
Participación en SEMINARIO DOCUMENTALIDADES. CGAC.
14 octubre 2006
ver más
Participación en el seminario "La imagen fantasma". Barcelona, Fundació Antoni Tàpies, 28 noviembre 2006
Participación en el simposio internacional "Revistas y Guerra". MNCARS, enero 2007
ver más
Ideas recibidas
Un vocabulario para la cultura artística contemporánea
Curso-programa de conferencias
MACBA Octubre/October 2008
Archivo: el acceso al saber/poder y las alternativas a la exposición
ALLAN SEKULA.
ver más
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Portal del proyecto en curso Culturas de archivo
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Texto autor / Author text: Ruta Remake. This is no piano.
Enviado por editor en Domingo, 16 Marzo, 2008 - 03:19 (183 lecturas)
Tema Archivo Autor/Author Archive
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Apparatus and voice
Jorge Blasco Gallardo
In this context, Ruta Baciulyte and Ruta Gostautiene suggested a specific weaving pattern named “ruta” (Ruta / rue) that refers to a perennial plant having a strong, heavy odour and a bitter taste; also known as a ‘herb of grace’. In Lithuania, this pattern was imbued with different meanings, such that over the course of time it has as well routed through gardens and common language to become an icon representing virginity and femininity, despite the reputed efficiency of the plant in inducing abortions.
Nomeda & Gediminas Urbonas, Ruta Remake, 2002, Installation View, Secession 2003
Apparatus, tool, instrument
Ruta Remake is a comprehensive process involving the gathering and organisation of what has been collected. Yet that collection is inevitably contemporary, hybrid, impure and mixed. Collection is made of voices, vestiges of tradition, and they are composed in accordance with a pattern defined by the very plant that lends its name to the title of the work, a pattern whereby different levels of voice will be interwoven to form a fully meaningful song. It is not just any pattern, nor so the different songs forthcoming, it is a pattern stemming from a tradition that has framed a space for the muting of women’s voices that understands the weaving as writing, that is followed by singing as way of story telling.
The organisation of what has been collected, in principle, has nothing in common with the standard features of a “scientific�? study and they all have something to do with banishment/detachment from one’s own close reality. The objectified outcome of Ruta Remake is an apparatus, an electronic instrument, the Theramidi.
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Nomeda & Gediminas Urbonas. Devices for action
Enviado por editor en Domingo, 16 Marzo, 2008 - 03:10 (182 lecturas)
Tema Archivo Autor/Author Archive
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14/03/2008 - 15/06/2008 MACBA
[Plaça dels Àngels, 1 08001 Barcelona 93 412 08 10]
Curator: Bartomeu Marí
Produced by: Museu d’Art Contemporani de Barcelona (MACBA)
The work of Nomeda and Gediminas Urbonas –born in Lithuania in 1968 and 1966 respectively– takes the form of projects in which they explore the conflicts and contradictions thrown up by the new economic, social and political conditions in the former Soviet countries as they affect everyday life, management of public spaces and the idea of the nation. This exhibition features five installations, the results from their work over the last eight years: Transaction (2000-2004), Ruta Remake (2002-2004), Druzba (2003 - ongoing), Pro-test Lab (2005 - ongoing) and Villa Lituania (2007).
A particularly notable characteristic of their work is that each project is born and develops as part of a process involving cooperation with groups and experts from other fields (such as music, architecture or psychiatry). This method results in one of the principal features of their work formally: the absence of a recognisable style or authorship. Another element these projects all share is the inclusion, at some point or other in the process, of a film archive to show how the models used to control society are constructed.
Nota: www.macba.es
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Female Icons / New addition: Rotating Roles
Enviado por editor en Jueves, 24 Enero, 2008 - 01:19 (256 lecturas)
Tema Archivo Autor/Author Archive
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For those with access to Dutch television:
Hristina's Huizen will be aired tomorrow, Thursday January 24
22:50 - 23:45 Ned. 2 (HUMAN)
Interview: *Rotating Roles*
http://www.geuzen.org/female_icons/?p=454
When cleaning a house for somebody with whom you only communicate through little notes... a space might open up in which you create an image of your employers, their lives, their way of living. Hristina Tasheva worked as a cleaner for many years, and reflects upon her situation, dreams and future perspectives. She starts photographing the houses she is taking care of and develops a new relationship to the job, escaping from an invisible life. Suzanne Raes is documentary-maker and former employer of Hristina. We speak with them about how they developed the documentary, and how their lives have changed since.
http://www.art2stay.nl
http://www.hristinatasheva.com
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¿comentarios?
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Twelfth-century copy of Roman map displayed
Enviado por editor en Viernes, 30 Noviembre, 2007 - 11:22 (310 lecturas)
Tema Noticias/News
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http://uk.reuters.com
Mon Nov 26, 2007
By Karin Strohecker
VIENNA (Reuters) - An 800-year-old map, the sole surviving copy of a chart used by the Roman Empire's courier service, was put on show for just one day on Monday after being accorded "Memory of the World" status by UNESCO.
The parchment scroll, nearly 7 metres (yards) long, could only be displayed briefly because too much light would damage it, before it was returned to storage at Austria's National Library, where it has been since 1738.
Named Tabula Peutingeriana after the German antiquarian who owned it in the 16th century, the map shows roads linking some 4,000 settlements as well as mountains, rivers and forests from Spain in the west to China in the east.
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Mujeres Creando. Galería virtual foto Cordero. Lectura no autorizada de un pedazo de nuestra historia
Enviado por editor en Martes, 20 Noviembre, 2007 - 03:12 (367 lecturas)
Tema Archivo Expuesto / Exhibited Archive
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visitar: http://www.mujerescreando.org/cordero.htm
Biografía: Julio Cordero*
Nacido en Pucarani, una provincia ubicada en medio del Altiplano boliviano, el 17 de agosto de 1879. De niño emigra con su padre a la ciudad de La Paz en busca de nuevas y mejores oportunidades.
En plena juventud empieza a trabajar como ayudante en el estudio fotográfico de los hermanos Valdés de nacionalidad peruana, donde aprendió de manera autodidacta las técnicas de fotografía de la época.
En el año 1900, Cordero se independiza y pone su propio estudio fotográfico que se extiende hasta el año 1961, siendo el período del 1900 al 1920 la época de mayor popularidad y concurrencia del estudio "Cordero", como se denominaba.
Ubicado en el centro de la ciudad, allí ofrecía todo tipo de fotografías, como podemos leer en sus volantes de propaganda: "retratos, grupos de familia, grupos campestres, colegios, locales ferroviarios, interiores de fábricas e Iglesias"
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Actualidad: Aby Warburg. The Mnemosyne Atlas.
Enviado por editor en Lunes, 19 Noviembre, 2007 - 02:50 (355 lecturas)
Tema Archivo Autor/Author Archive
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From 23 November to 14 December 2007 the Albertina will present an exhibition of Aby Warburg’s Mnemosyne Atlas. The show will include 64 plates that are primarily concerned with the legacy of antiquity in the Early Renaissance.
http://www.albertina.at
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Masumi Hayashi Photography. Family Album project
Enviado por editor en Lunes, 12 Noviembre, 2007 - 11:50 (327 lecturas)
Tema Memoria Guerra/War Memory
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www.csuohio.edu/art_photos/famalbum/famalbum.html
The Family Album Pages:
These family album pages show pictures from the daily lives of the internees, in both the Canadian and American camps. In a variety of ways cameras were brought in the camps, loaned out to friends, film processed, and the rituals of daily life were preserved.
During the coarse of working on this project, Hayashi traveled to photograph each camp site, and also attended reunions and conferences for the camp survivors and their relatives. She came into contact with internees and their relatives, many of whom had collected and saved fascinating albums of photographs from the time that they were interned. This exhibit, curated by Masumi Hayashi, is a small sampling of those memories. (Please download the individual internee's photo album pages.)
These web site pages, and the 1996 exhibition of these photographs, document the human experience are part of the memory of dislocation and transition.
see: www.csuohio.edu/art_photos/famalbum/famalbum.html
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The advantages of amnesia
Enviado por editor en Sábado, 10 Noviembre, 2007 - 01:48 (347 lecturas)
Tema Tecnología/Technology
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www.boston.com
From the Internet to the iPod, technology is bringing rapid advances in memory. What society needs now are new ways to forget.
By Jessica Winter | September 23, 2007
IMAGINE CARRYING AROUND an entire research library on an iPod. Such a feat suddenly seemed feasible as of earlier this month, with the news that IBM physicist Stuart Parkin is close to perfecting an advance called "magnetic random access memory," or MRAM, which will enable us to store exponentially more data on the tiniest of hard drives.
Parkin's development, which should reach consumers within a few years, is the latest installment in our eternal quest to preserve and supplement the human memory, which has taken us from the cuneiform slab to the cassette tape to the Ginkgo biloba tablet washed down with the day's first cup of coffee.
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Art with Nazi links raises questions for new museum
Enviado por editor en Jueves, 08 Noviembre, 2007 - 11:02 (327 lecturas)
Tema Texto Autor/Author Text
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JS ONLINE: NEWS: MILWAUKEE:
www.jsonline.com
Oct. 27, 2007
MSOE faces unexpected issues over donated work
By WHITNEY GOULD and MARY LOUISE SCHUMACHER
As its name implies, the new Man at Work museum at the Milwaukee School of Engineering is designed to celebrate the nobility of physical labor through the ages. But the engineer and the industrialist who run the museum have included artworks made to glorify the construction projects of the Nazi regime, art historians say.
The museum, which opened to the public Saturday, seems to have stumbled into a complex, controversial subject that the museum world has been coming to terms with for decades: When is it appropriate to exhibit art produced under the Nazis? How open should a museum be with its visitors about Nazi connections? What are the moral responsibilities of artists working under repressive regimes?
The Grohmann Museum features a 700-piece trove of paintings and sculptures, some dating from the 16th century, that were collected by Milwaukee industrialist Eckhart G. Grohmann and donated to the school. To most eyes, the peasant scenes and industrial landscapes will not appear overtly political or sinister.
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Library books returned after 126 years
Enviado por editor en Jueves, 08 Noviembre, 2007 - 10:49 (312 lecturas)
Tema Noticias/News
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books.guardian.co.uk
AP
Wednesday November 7, 2007
Guardian Unlimited
Chile has returned 3,778 books that its military had taken from Peru's national library - more than 126 years overdue.
Chilean soldiers pillaged the library in 1881 after capturing the Peruvian capital, Lima, during the 1879-1883 War of the Pacific.
The volumes, written in Greek, Latin, French and Spanish, some with full-page colonial-era maps, dated from the 16th to 19th centuries. Chile shipped the books, most in excellent condition, to Peru this week via DHL, where they'll be returned to Lima's national library.
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US ambassador to give wartime documents to Czech film archive
Enviado por editor en Jueves, 08 Noviembre, 2007 - 10:17 (313 lecturas)
Tema Archivo Comentado
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www.praguemonitor.com
By ČTK / Published 8 November 2007
Prague, Nov 7 (CTK) - Richard Graber, U.S. ambassador to Prague, will hand over unique film documents, made during the liberation of West Bohemia by the U.S. military in 1945, to Czech National Archive (NFA) director Vladimir Opela on Friday, the Veterans' Day, Petr Dolezel from the embassy has told CTK.
The film shots, which have never been presented in the Czech Republic so far, were made by U.S. soldiers who had received the necessary equipment and some also a short training as camera operators.
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Claudia Andujar
Enviado por editor en Jueves, 08 Noviembre, 2007 - 10:05 (300 lecturas)
Tema Archivo Autor/Author Archive
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diversao.uol.com.br/27bienal/artistas
Cláudia Andujar nasceu em Neuchâtel, Suíça, em 1931. A artista vive no Brasil desde 1955 e mora atualmente em São Paulo.
Filha de pai judeu, mudou-se para a Hungria ainda criança e viveu de perto a Segunda Guerra Mundial. Em 1944, quando a Alemanha ocupou a Hungria, seu pai e outros familiares foram mortos num dos campos de concentração nazistas.
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FEMALE ICONS / PERFORMING EVIDENCE: AUGUSTINE
Enviado por editor en Martes, 06 Noviembre, 2007 - 01:08 (305 lecturas)
Tema Noticias/News
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FEMALE ICONS / PERFORMING EVIDENCE: AUGUSTINE
----------------------------------------------
As a part of the LIVING ROOM LECTURE SERIES, De Geuzen welcomes
Anke Bangma
FRIDAY, OCTOBER 26, 2007 @ 14:30
The event will be streamed live from Rotterdam at:
http://www.geuzen.org/female_icons
A chat channel will be open for the duration of the lecture.
Performing evidence: Augustine
As the veritable ’star’ of the photographic iconography of hysteria
that was assembled under the direction of Jean-Martin Charcot in the
late 19th century, Augustine has become an icon of a particular
fantasy of femininity. Her photographs have been a source of
inspiration as well as intense critical debate, both then and now.
But Augustine also represents a particular fantasy of scientific
representation, and exposes in an exemplary way how the scientific
apparatus produces the phenomena it claims to merely examine.
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Cine Infinito
Enviado por editor en Martes, 06 Noviembre, 2007 - 01:00 (324 lecturas)
Tema Archivo Autor/Author Archive
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Un proyecto expositivo de Virginia Villaplana con la producción cultural de David Arlandis y Javier Marroquí.
Inauguración jueves 8 de noviembre a las 20 horas.
Sala La Gallera,
C/ aluders 7. Valencia.
La Sala La Gallera de Valencia con la exposición Cine Infinito de Virginia Villaplana se transforma durante los meses de noviembre, diciembre y enero en un espacio de producción de conocimiento colectivo a partir de las obras de esta autora, un Filmworkshop/seminario y una publicación sobre las formas de la memoria.
A partir del día 24 de noviembre se desarrollará el FilmWorkshop/Seminario dirigido por la cineasta Virginia Villaplana que incluye sesiones de conferencias por parte de distintos artistas, proyecciones de cine y vídeo, y el desarrollo de un MediaLab abierto a todos los públicos.
Taller FilmWorkshop Cine Infinito
Información en el email: info@culturalwork.com
Días: 24 de noviembre, 1 de diciembre y 15 de diciembre. Hoarario: 10:30 h.
Inscripción gratuita enviando cv antes del 19 de noviembre a info@culturalwork.com
Conferencias en Sala La Gallera.
Días: 24 de noviembre, 1 de diciembre y 15 de diciembre.
Sábados Tarde: 18:00 horas
Artistas invitados que impartirán las conferencias:
María Ruido, Miriam Lozano, Pedro Ortuño, David Domingo, Ana Lozano, Marta de Gonzalo y Publio Pérez Prieto.
Proyecciones de cine. Versiones desordenadas.
Miércoles 14, 21 y 28 de noviembre// 5, 12 y 19 de diciembre Horario: 19:00 h.
Autores: Angelika Levi, Jean-Luc Godard, Cecilia Barriga, Karin Jurschick, Mandy Jacobson y Karmen Jelincic, Renate Lorenz, Malou Bülow, Nadja Damm, Karin Kasböck, Christine Lamberty, Tania Eichler, Karin Michalski y Anne Frisius.
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Mediterranean / Palestinian Artist Jacir Awarded the Golden Lion in Venice
Enviado por editor en Martes, 06 Noviembre, 2007 - 11:08 (327 lecturas)
Tema Archivo Autor/Author Archive
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www.babelmed.net
The Venice Biennale, the most visited Italian art event has held its 52nd Awarding Ceremony on the 17th of October. The event was chaired by Davide Croff. More than 300 international guests from the national participations and the collateral events, artists and professionals have attended the event. For the first time ever, the awarding ceremony has been organised a month before the closing date of the exhibition, which has been Italy’s most visited art event, with more than 232,000 visitors in about 100 opening days.
While the Golden Lion for Lifetime Achievement has been assigned by the Board of Directors of the Biennale di Venezia to the artist Malick Sidibé (Soloba, Mali, 1936) at the Giardini della Biennale on June 10th, on the occasion of the official opening to the public, the International Jury, proposed by the 52nd International Art Exhibition Robert Storr and formed by Manuel J. Borja-Villel (president), Iwona Blazwick, Ilaria Bonacossa, Abdellah Karroum, and José Roca has assigned four Golden Lions and two Honourable Mentions.
The Golden Lion
The Golden Lion to an artist under 40 exhibited in the central international exhibition or in the national participations was awarded to Palestinian artist Emily Jacir. The Jury laudatio was the following: “The award for an artist under 40 is given for a practice that takes as its subject exile in general and the Palestinian issue in particular. Without recourse to exoticism, the work on display in the central Pavilion at the Giardini establishes and expands a crossover between cinema, archival documentation, narrative and sound. The Golden Lion to an artist under 40 overall, is given to Emily Jacir.”
“Material for a film”
Jacir's "Material for a film" retraces Palestinian cultural figure Wael Zuaiter, who was the first of a series of Palestinian intellectuals and artists who were assassinated by Israeli agents in Europe. Zuaiter was murdered outside of his Rome apartment in 1972.
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Robots y servidores
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Un nuevo proyecto de Culturas de archivo.
Serie de diaporamas sobre robots y buscadores en diferentes momentos de la historia.
1. WWII criminal tracer (women)
(London Ilustrated News, 1945). |
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